Sunday, February 14, 2010

Valentine's Day


The icicles outside the front door are dripping. Where the drops land in the snow it looks like constellations, shallow indentations that seem significant, like if I recognized the language I could understand the meaning.

Next door, the little neighbor boy is shoveling snow onto his dog. The orange plastic shovel is bigger than the boy, and he finds it unwieldy because of its size but also because he is bundled in a fat jacket and snow pants. He and the dog are playing a game, and the game is called Joy. He scrapes up some light snow, tries to lift the shovel over his head – he’s only about 3 years old – and dumps the snow onto the dog’s ears or back or tail. The dog yips and leaps and the boy laughs. And then they do it again.

Outside in the yard, fallen branches poke up out of the snow. They look like skinny arms reaching toward the sky. It’s as though a contingent of stick figures was buried in the drifts, and the rescue party has yet to locate them.

I’m reading a book about writing memoir, and the famous author says “Voice is everything.” Another well-known writer says “Point of view is everything.” Sometimes I hear myself telling my students "Theme is everything." Really, I think nothing is everything.

But many things are enough.

Saturday, January 30, 2010

Spin


Three crows wick powder from the throat of a fat maple. January ground looks like a Rorschach, swatches of earth against swatches of snow. We had a bit of a thaw, a week or so with flurries and squalls but not much accumulation. It’s rare to see the ground at this time of year, but the occasional patch of green makes me happy. The green feels like a promise, an implied guarantee that winter will, eventually, end. It’s a reminder that’s welcome on a day like this when, despite the sunshine and the glimpses of hard ground, the temperature stalls below zero. I write wearing gloves and a scarf, a bulky jacket. We keep the wood stove stocked, burn level set at ROAR; periodically throughout the morning it’s necessary to go stand right next to it in order to warm up. For backup I’ve got a little space heater in my study that sits at ankle level. My feet are encased in boots made of sheepskin and suede but the heat wafts up and keeps my legs warm. It’s a lazy day in the heart of winter, and I can’t help but think of the beautiful title of the last novel I read: Let the Great World Spin. I sit and stare out the window, watch the crows and the shivering trees. Wood pops and shifts in the stove. My cat curls a paw over her eyes, a casual defense against the confrontation of sunlight. I drink it in, thirsty for light at this time of year. Even in the middle of the night, I stand and watch the wolf moon as it glazes the sky, feel the glow on my skin, watch shadows drift across the kitchen floor.

Let the great world spin… It’s cold out there, but time and again we find our way to warmth.

Tuesday, December 29, 2009

December 29, 2009


Tomorrow is my blog’s first birthday, and I’m giving myself a moment’s credit for sticking to it. When I made that initial entry I wasn’t sure if a writing project called a blog was something I could sustain interest in. It seemed so anonymous, so lonely, so potentially unrewarding. Would anybody read it? Would anyone respond? Was that even the point? I had no idea, really, what I wanted out of the endeavor beyond feeling a need to get some work out into the world that might otherwise live out its days in the solitude of my word-processing program.

A year later, I’m still not sure who reads the posts or when or where, but occasionally someone responds. These responses are often from former or current students and they always, always make me happy. Responses, including those from strangers, seem like authentic moments of connection – someone visited the site, read what I wrote, and took a few minutes to comment. It’s a simple gesture, but tonight, at 2 a.m. on a cold, snowy, fairly bleak night in Oswego, New York, I feel it as profound. Thank you to every person who has written a comment on the blog or via Facebook, that weird and wonderful forum for fleeting contact.

It’s been a difficult year for many of my students, some of my family, and a few of my dear friends – many have struggled on the employment front, some have lost family members, suffered serious illness, contended with other private hardship. Each has taught me something about courage and resilience and faith. When I lived in Arizona, I’d often be awake at this hour, and I’d stand in my doorway and look out at the stars and the desert and wish to be back home, in the east, where it seemed like the lives of my friends were unfolding smoothly and joyfully and without me. It seemed like the loneliest time and place in the world… Now, when I’m awake and looking out at a different but equally beautiful landscape, I think of my friends asleep in the southwest, and recognize that I will always feel some degree of wanderlust and regret, some degree of what if and if only. It is my nature – perhaps a common nature – to want something other than what I have. But tonight I acknowledge and feel grateful to my bones for precisely that – for what I have.

We had an unseasonably warm day this week – it almost hit 40 – and the morning brought waves of increasing fog. My camera was jammed and I lamented that something so beautiful would go undocumented. Out of desperation I smacked the camera on the heel of my hand and it suddenly clicked into action. When I went outside to catch the light, the thinnest and most invisible sheen of ice covered every surface and I slipped on literally my first step. My right hand slammed against a wooden post, giving rise to an immediate welt. My left leg crashed into a step – a second bruise. My spine, already in less-than-perfect shape, felt like it torqued, twisted from left to right and from top to bottom. It was, in other words, not a graceful slip and I stood silently in place, trying to catch my breath, hoping I hadn’t broken my hand, hoping I hadn’t further aggravated my back, glad I hadn’t dropped the camera. I walked slowly to a level spot in the yard and began to take some shots. The effort rewarded me with some spooky and evocative photographs and, admittedly, a very sore back.

I’m posting one of the shots, above, because 2009 has been a year that will be remembered for its hardships, but hopefully, too, for its art.

Looking forward to more light, more beauty. Looking forward to peace and safety, especially for my brother and the other men and women who are, have been, or will be serving in the military, taking part in a war that we often seem happy to forget. Looking forward to healthy recoveries for my friends and family, and hoping that everyone who wants a job finds one. Looking forward to more art of every kind, including the beautiful and heartfelt poems & essays offered up by my students, the funny and creative notes on Facebook, the occasional cherished handwritten letter that arrives in the mail. Every word matters.

Peace in 2010, my friends. Thank you for visiting.

Thursday, December 17, 2009

Winter, Ridge Road

A crow cawls across the ridge.

Snow tips from ten thousand limbs.

Some falls up, the way

ash ascends a flue.

Sunday, November 8, 2009

Ladybug Riff


Here in Oswego, it’s unseasonably warm. High 50’s, slightly chilly despite the white wafer of the sun, which is making its descent behind the bare trees across the road. I like being chilled, I like unseasonably warm weather in November. I like, in fact, November. It rhymes with remember. Which rhymes with December. Which is a sentence fragment.

When I was a kid, I disliked the word “chilly,” which seemed, to me, like a grown-up word. I didn’t like the word “woman” for the same reason. Only adults used words like chilly and woman. Kids said cold and lady. I found it unlikely that I would someday become a woman, and slightly disturbing that I had no choice in the matter. It seemed unfair that circumstances beyond my control could dictate my destiny. It wasn’t that I wanted to be a boy. But I hadn’t been asked. I wanted an option. I wanted a say.

The option, alas, was nonexistent, and now here I am, both a woman and chilly. Using both words with ease. Having my say. Doing all sorts of unexpected things – things I never thought I’d do – including using sentence fragments with abandon.

I was sitting outside on the deck, reading, trying to appreciate what might be one of our last temperate days for a while. A ladybug landed on my knuckle. She climbed over my grandmother’s diamond ring, which I wear on the middle finger of my right hand, then hurried over my ring finger. I held her up to my eye so I could get a good look at her. (The ladybug, apparently, also has no say in determining gender.) She took determined but graceful steps – an expert knuckle navigator. She paused, accommodating my scrutiny, then stretched her wings for a second, as though performing. I smiled. The bug flew.

Next door, the neighbor is riding a mower with a degree of recklessness that I’ve learned is customary during this endeavor. Every twenty seconds or so the blades hit a rock or a branch and it sounds like a shot ringing out. He just keeps going, high speed, more interested in completing the task than in doing it well. In his real life, he does fine, precise work. He’s a craftsman. But when it comes to this chore, he’s like a drunken cowboy.

I’ve been trying to find a new way of concluding these writings, these pieces, as I call them. Seems like I always turn reverent, always feel a little moment of what I have to call holiness, or awe, at the conclusion. I think it’s related to another inclination – wanting to say, when I finish writing, thank you. I’ve never really known who I was thanking, but the urge persists. I think we have to break our own habits though, periodically try to do something new, something unexpected. I could, for instance, ask a profound or pseudo-profound question. I could make a timely although possibly suspect observation, like “the neighbor just literally yelled yeeeehaaaa when he hit a rock.”

Or I can wait it out long enough that I get lucky: Inside my shirt, like a shiver, a ladybug is hiking up my cleavage. I tent the collar – – freedom.

Saturday, October 31, 2009

No Mask


Awake on Halloween morning at 4 a.m. Head downstairs in the dark to feed the cat, barefoot, half-clad, then pause on the landing on the way back to bed. The moon is setting in a hazy sky behind the western trees. Normally it wouldn’t be visible at this point in its circuit, but on the last day of October most of the trees are shorn. Rather than impenetrable woods, I see what looks like a loosely milling crowd – a crowd of trees. There are breaks between the cherry and maple and pine and locust, and in one of those gaps the moon shivers in its last silvery moments.

I, too, shiver, although the night air holds no real chill and the date itself carries no superstitious weight. The traditions of Halloween mean nothing to me, but October 31st feels important because it signifies, locally and unofficially, the beginning of winter. We’ve been fortunate to see no snow flurries yet, but it’s just a matter of time, and that awareness feels more foreboding than any collection of ghosts or goblins. The house seems to shudder, too -- a function of the wind, which hits in waves. I feel a draft whistle through the big picture window, which seems as good an indicator as any that I should go back to sleep.


Three hours later it’s a more reasonable version of morning. That is, we have some light. The sun is rising beyond the eastern trees and, because they’re at a greater distance than those in the west, there’s no observable glow behind what appears to be a dense, black ridge, an arboreal wall. I know the sun will rise soon only because it has risen in the morning for the last 50 years of my life. It’s the kind of quotidian faith I take comfort in, a reliability not always offered by the natural world or, for that matter, our human world.

The wind is still loud, still rattling trees and shaking the house in intervals. It’s a southern wind, and the air is mild, but the mildness is misleading. The wind packs a wallop and has ripped most of the leaves from the trees. They lay in heaps, almost neatly, as though some neighborhood handyman tried to impose order on chaos. The tenacious few that remain look like umbrellas inverted in a gale, or squash blossoms oddly placed on high rather than trailing on garden vines.

As though to support the mildness of the air and contradict the persistent bullying of the wind, we have what I like to call a Rothko sky. Distinct bands of red and russet and gold swipe long swaths across my field of vision. Fall colors on the ground, fall colors in the sky. In the distance, the composition appears calm and dignified. Close up, in the yard, a gust hits the cherry trees with such force their branches extend in a horizontal choreography. The yellow and green and orange-tinged leaves whip sideways, making them look like a school of fluorescent fish shimmying in place.

I have many hours of work ahead of me, and no reason to think of costumes and masks, no reason, really, to be concerned with weather or seasons or the swiftly ticking clock. Around me I see the naked world, an undisguised world, and that world offers, today, both the elegance and embellishment of an abandoned cathedral. If I thought someone might hear, I might say amen.

Sunday, October 25, 2009

The Lip of the V


Yesterday at dusk a deer walked through the yard. For two seconds, we made eye contact. The deer posed, body facing away, head turned toward me. “Be careful, baby,” I said, quietly. She had just crossed the road, and I was referring to cars, and hunters.

This morning I went outside and scanned the vicinity, visually tracing her path. We live on a ridge, which means she’d climbed uphill. She may have begun at the base of the ridge, where a small stream has carved a trajectory through stands of maple and cherry trees and knots of underbrush. I’ve seen other deer there, sipping clean water or, having heard the retort of a hunter’s gun, standing stock-still. Hunters aren’t allowed in the area, but posted bans are rarely enforced. One day I watched a deer stand unmoving for over 30 minutes. I needed binoculars to see to the base of the ridge, where she stood, and I got tired of holding them to my eyes. Every ten minutes or so I’d go back and check – the deer did not relent. Her life depended on her stillness – she’d heard or smelled a human being, a hunter – and, in a way, I suppose mine depended on my ability to look away. Had I continued to observe, had the deer been spotted by the hunter and taken down, I think I’d have had to move, to permanently leave this place I love so much.

I’ve lived in several locales that have been appealing to hunters, and there have been a few times I’ve worried that I would accidentally become a target. Even now, when I wander into the yard, I try to remember to wear something bright, colorful. More often than not, however, I realize upon returning indoors that I’ve been clad in earth tones, moving slowly, potentially mistakable for a creature not human. Generally, when I hear gunshots, I stay inside.

This morning, however, there were no shots. It’s a perfect October day, and the trees that bank the ridge have mostly lost their leaves. A few retain some color, so amid the vertical scribbles of brown and gray branches are a few swaths of yellow and red and orange. It’s an austere landscape: a radical slope, thousands of trees leading down to the creek, thousands of trees leading up the other side of the ridge. I feel like I live on one lip of a giant V, the house built into the ridge, trees our nearest enduring neighbors. Among those trees, deer slip. Occasionally one makes the climb up through our yard, and it is always uncanny and memorable. Unlike the wild turkeys, who are skittish, or the sleek foxes, who seem single-mindedly intent on reaching a distant destination, a deer will stop for a moment if it’s not in pursuit or being pursued. Standing among trees, in silence, nobody around but the deer – it’s a sublime and nearly inexplicable experience, though not uncommon. I’ve been within an arm’s length of a deer in the woods; during the few seconds in which both parties are startled into motionless observance, something occurs. It might be no more complex an occurrence than seeing – we see each other. It feels like authentic recognition. And then the deer disappears.

Despite their majesty, I’m aware that plenty of neighbors view deer as pests. The animals will happily munch on carefully tended gardens, and they’ve been known to smash right through sliding glass doors or windows and destroy a room or two in the ensuing panic. In places where deer are particularly abundant, they create a driving hazard. Hitting a deer means, often, totaling one’s car. It also usually means killing the deer. We’ll see them lying alongside roadways, as ordinary and ubiquitous as sheds or hay bales. Sometimes they look like they’re sleeping; other times their heads are angled crazily, dark eyes open wide like entryways to some other world. There might be skid marks where a driver tried to veer. Usually, however, there’s no sign of what happened beyond the relic of the animal. Whatever the human cost, it has been tended. The deer is left behind, exposed, vulnerable to scavenger birds, awaiting an official removal vehicle which may or may not arrive in a timely manner. Deer are left to rot, I’m saying. We overlook them.

Sometimes I wonder what happens to these creatures we brush up against. The turkey egg we found in the spring – kept it for a day, then replaced it in the garden where it had been discovered – just disappeared. I’ve read that turkeys will retrieve temporarily abandoned eggs – is that what happened? If so, did the poult survive? Is it among the rafter I see just about every morning, their giant bodies shining in the rain? And what became of the tiny snapping turtle I found on the front steps? I named it Bucket, after Charlie Bucket in Roald Dahl’s novel of poverty and discovery. As with the turkey egg, I’d previously found a turtle egg on the lawn. It looked like a punctured ping pong ball. We’d found a mature snapper in the yard as well – it was wider than a dinner plate, and Leigh had picked it up and held it away from her body, half jogging and half praying that she could relocate it down on the ridge before it amputated one of her fingers. Was Bucket an offspring of that turtle, had my tiny snapper been borne of that ping pong ball egg? Did it survive even an hour beyond the time I saw it, or did something bigger and hungrier make a snack of the turtle?

And what will become of yesterday’s deer? Will a rogue hunter take her down? Will I spy her through my binoculars this winter, standing like a statue near the frozen stream, picking her way through brambles and fallen limbs? We live in a dangerous, marvelous world, and one of its frustrations may be that we must live with questions like these. I find it difficult, at times, to not know the answers, to have no way of finding out the answers. Not everything can be researched, not everything can be discovered. Maybe that’s why we have dreams – I dream of animals as much as I dream of people, or planets, or structures. And maybe that explains the sightings. I don’t encounter ghosts of old companions or ancestors; I’ve never seen nor would care to see a human ghost. I am skeptical, deeply so, of those who claim to have had visions of the dead, conversations with the dead, interactions of any kind with the dead. I’m not much inclined toward the supernatural or even the merely spooky. But frequently, very frequently, I see deer ghosts darting across the road. I’ve seen the ghosts of bears, too, lumbering into the density of the woods. And for every creature I’ve actually seen – seen the flesh of them, the beak and hoof and feather and scale and fur of them – I’ve also heard phantom calls in the night. They’re out there, I’m certain, I sense them. Maybe they’re real sounds, legitimate sounds, maybe they’re explainable and tangible sights… Maybe it’s just one part of my brain trying to comfort another part…


Among us creatures there are many languages. And I hear them, and I see the shadows and the sources. And I take note.